Here’s what Island Batik had to say about the English Paper Piecing Challenge:

It’s time to limber up your fingers! Nothing does that like hand sewing. English Paper Piecing is a technique practiced by many who find the hand sewing process wonderfully relaxing.

WHAT IS ENGLISH PAPER PIECING?

English Paper Piecing (commonly called EPP) is a method of stabilizing fabric around a heavy paper shape before sewing the pieces together to create intricately pieced designs. It provides excellent accuracy and precision piecing. English Paper Piecing originated in England and was called Mosaic or honeycomb patchwork. In the late 1700’s, when all things English became popular in the U.S., the term English Paper Piecing was coined. The most popular shape has always been the hexagon because it makes good use of fabric scrap and is easy to assemble. The most recognizable hexagon pattern is Grandmother’s Flower Garden, which became popular in the 1920-1930s.

English Paper Piecing is often referred to as Hand Piecing or hand sewing and is a traditional sewing method that utilizes a running stitch to sew fabric pieces together. The hand sewer sews a ¼” seam allowance with needle and thread by, beginning a ¼” from the end of the shape, loading stitches on the needle and finishing ¼” away from the end of the shape by pulling the needle through the loaded stitches.

OK … so now I know what is expected but ….

HAND SEWING

When I saw this challenge, I almost started to cry!!! Seriously!!! English Paper Piecing??? That means hand sewing! When I sew by hand, my hands hurt! Big time!!! After about 10 minutes, it hurts … by 15 minutes it’s really hurting and after 20 minutes, I’m in agony and my fingers are numb. Oh my … how in the world am I going to be able to do this challenge?

I figured that I best start early. So in January, I ordered a bunch of paper piecing books from the guild library.

The guild librarian is a gem … during Covid, she has stored all the books at her home … a simple email or 2 and within a day, you can go pick them up!!! Awesome service!!

Anyhow, with a bag full of reading material, I attempted to see if anything appealed. I didn’t want to do a traditional Grandmother’s Flower Garden, or stars … One of the library books was “The New Hexagon” from a Canadian author that only lives 4 hours away from me! Bingo! If I have to endure pain, I will make what I want. I promptly ordered my own copy of the book.

I was given a 10″ stack of Island Batik‘s “Cabana” last year and decided that this would be the perfect fabric collection to use. I love the blues and the florals … it’s going to be pretty!

I copied the designs for a table runner from the book. It’s fun with all the blocks named after different women! Unfortunately ‘Gail’ is not one of them!

A friend of mine suggested using Elmer’s Disappearing Purple glue stick to turn the fabric under 1/4″. I tested it on the regular printer paper and it came off pretty easy. Here’s how I organized my pieces once they were glued/pressed into place, ready for sewing. (This was the “Sarah” hexi.) It was super handy to have the diagram of how the hexi went together without going back to the book.

Blue is my favourite colour, so I made sure that each hexi had at least one blue fabric in it.

Here is a picture of gluing the 1/4″ sides down on the joining black triangles (Island Batik black solid).

In the picture below, I’m working on the table runner. I used Aurifil Thread #2370 – Sandstone to do the piecing.

With working on the table runner at least every other day, I found that I was able to hand sew for longer periods of time. I could work on it for about 30 minutes before my fingers started to ache. That made it nicer to spend time stitching!

The borders are on and now, I’m taking out all the paper … lots of little pieces of paper!

I used Hobbs Batting, black 80/20 batting for this project. It was a perfect choice!

After all the hand sewing, I knew I didn’t want to hand quilt this runner. I decided to use my domestic machine (Janome M7) for the quilting! I quilted it with Aurifil 100% nylon (Invisible) on the top and Aurifil #2370 – Sandstone in the bobbin using Schmetz Needles. I tried to do some swirly quilting, but that stitching didn’t fit, so out came the seam ripper and out came the swirly stitching. I settled for “In the ditch” quilting which turned out to be the right choice! After months of hand sewing, it was great to finish it quickly on the machine!

And some close-ups of the table runner …

Disclosure and a Thank you!

Disclosure: The fabrics, thread, batting and needles were generously supplied by the following companies:

• Island Batik
• Hobbs Batting
• Aurifil Thread
• Schmetz Needles

This is the final Island Batik challenge for 2021. Stay tuned: in a few weeks, I’ll have a blog post showing all of the projects that I have made with wonderful Island Batik fabrics!

One who sleeps under a quilt is covered by LOVE!

Happy Quilting! 
Gail 

This year, Aurifil Thread has a Color Builder program. It is a total of 12 different mini-collections that, for 2021, are based on Endangered Animals. Aurifil’s goal is to “Increase sustainability and positive environmental impact.” (source: Island Batik).

For the October challenge, Aurifil is asking you to create a piece inspired by the endangered animal featured on your assigned Color Builder box. Use each one of the 3 provided colors somewhere in the challenge piece, how the thread is used is up to you! (source: Island Batik)

I received the Pangolin bundle. The 3 threads in this collection are: #2312 – Ermine, #6010 – Toast, #2360 – Chocolate. They are all 40 weight.

I had to look it up …

The Pangolin is sometimes used for it’s meat, but mostly the scales are used in traditional Chinese medicine. There is a huge amount of illegal trafficking and the pangolin is considered Critically Endangered. Source.

I literally spent a few months thinking about what I would do.

I finally decided that I would go to the Internet and search for royalty free colouring book pages and pangolin. Bingo! I found one at THIS SITE.

Below is the pangolin print out and fabric (Buttermilk) on my light board. My light board happens to be a window. You can see where the pages are overlapping and taped together. The Buttermilk fabric is taped on top.Then a picture of me tracing it out with a brown sharpie. (Inspired by Helen Godden and the Flower Power Quilt-a-long)

I used Hobbs Polydown batting and Odif 505 temporary adhesive spray and got to work. First I stitched over the brown sharpie lines with #2360 – Chocolate.

I quickly realized that I needed to have a fabric on the back: the polydown was catching on the lowered feed dogs. Previously, when I used this technique, I was able to use Hobbs 80/20 with no difficulty.

Then, I was not pleased with how it was stitching out! So, I cleaned my machine (it needed it) and changed to a Schmetz needle. That helped a bit, but then I took off my ruler quilting foot and put on the regular free-motion quilting foot. I’m not sure why, but my quilting was WAY better.

The pangolin is outlined with Aurifil #2360 – ChocolateI. The Zendoodling is Aurifil #2312 – Ermine. Aurifil #6010 – Toast, was used for the organic echoing around the pangolin. It took 3 full days of zendoodling to get to this point. Then I needed a break!

For the spikes around the border, I used several pieces from the Autumn Wings collection, along with Large Netting-Sand (a blender) and Citrine (Marvelous Multis). The spikes were all fused with steam-a-seam light. And appliqued in place with #6010 – Toast. Then the feet were “coloured” in using Aurifil #2360 Chocolate. It is bound with Wavy Dots – Cappuccino.

Disclosure: The fabrics, thread, batting and needles were generously supplied by the following companies:

• Island Batik
• Hobbs Batting
• Aurifil Thread
• Schmetz Needles

One who sleeps under a quilt is covered by LOVE!

Happy Quilting! 
Gail